Han
Solo at Stars' End
was published in early 1979. The sequel, Han
Solo's Revenge
followed in late 1979. Whereas Stars'
End
ended up a prison break story, this turns into almost a James Bond
style adventure/mystery.
It
begins with Han and Chewie (and the droids Bollux and Blue Max)
operating a movie theater on a desert planet for easy credits.
Unbeknownst to them, they've accidentally created a religious
experience for the desert natives by showing a documentary of a water
world. The scheme ends in a hurry when they try to show a different
movie and they're back in space, desperate for cash.
The
solution comes in a simple, lucrative smuggling operation. One catch:
Han finds out it involves running slaves. Han & Chewie are
rogues, but they absolutely refuse to get involved with any slavers.
The immediate situation resolved, an angry Han Solo sets out to find
the slavers and get the money they still owe him.
To
that end, Han runs into one Fiolla of Llord, a beautiful, idealistic
and resourceful woman who's also a Corporate Sector Assistant
Auditor-General trying to track down the very same slaving ring.
Meanwhile Chewie has his hands full dealing with a persistent skip
tracer named Spray, who shoves his way onto the Falcon,
intending to repossess it once all the shooting stops.
Shootouts
on a luxury spaceliner, planet hopping, a bomb on the Millennium
Falcon,
a high speed swoop bike chase scene five years before the speeder
bikes of Return
of the Jedi,
and an encounter with Gallandro, the deadliest gunslinger in the
Corporate Sector, if not the entire Galaxy.
Much
like Stars' End,
Revenge
runs at a rapid clip of action sequences, betrayals and more action
sequences. Comic relief is also strong, as Bollux and Blue Max
continue to provide their mix of competence and comedy, while Spray
becomes an amusing foil for Chewie.
The
real standout is Fiolla, one of the first genuinely memorable
Expanded Universe female protagonists and love interests for Han.
(Jessa from Stars'
End
counts too, but she's only there at the beginning and end of that
story). Resourceful, witty, and occasionally naive in contrast to
Han's practical cynicism, she's great. If one were feeling woke, it
could be pointed out that she is a non-Caucasian female hero in a
Star Wars story from 1979 and it was no big deal because the
franchise was always diverse, but that would shatter the narrative.
She's
also a genuinely good cop, which makes a strong contrast to the hard
edge the Corporate Sector Authority had in the first book. Tyrants
like Viceprex Hirken aren't the only employees in the Authority,
which adds a nice layer of nuance.
I
absolutely recommend Han Solo's Revenge for fast-paced scum
and villainy action, adventure and romance.
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