Sunday, March 29, 2020

Shin Super Robot Sunday: Mirrorman



By 1971, tokusatsu was firmly entrenched as a genre. The consistent success of Ultraman led to competitors and imitators. Shotaro Ishinomori's Kamen Rider, which debuted in April of 1971, was about a masked, motorcycle riding crusader of justice with a grasshopper themed costume, and would spawn its own massive franchise as a result. However, Kamen Rider is regular sized, and it will be a while before one of those series gets the spotlight on Shin Super Robot Sunday. 


In December of 1971, Tsuburaya Productions would debut a spinoff of Ultraman, which was based off a manga from 1969. More serious in tone than (most) of the Ultra series, Mirrorman, told the story of Kyôtarô Kagami, a photojournalist who learns he's the half-human son of a fallen hero from the 2nd Dimension: Mirrorman. Set in the 1980s, this new Mirrorman must grapple with his destiny as Earth's only hope against a hostile alien race known as The Invaders.

     

Mirrorman takes place in its own self-contained universe, and wasn't part of the Ultra franchise per se. Armed with powers similar to Ultraman's, but with the ability to reflect attacks, travel through mirrors, and other light and mirror themed abilities. He doesn't fly, but he can run at the speed of light. Fighting alongside the Science Guard, the first half of the series focuses more on investigations and serious storytelling. 


Much like Mighty Jack, the ratings began slipping, partly due to a boom in other superhero shows like Silver Mask, which was a direct competitor for viewers. The course of the show was changed to a more traditional tokusatsu show with fewer recurring monsters, stronger themes of good vs. evil, and Mirrorman himself got an equivalent of an Ultraman's color timer; meaning he had an operational time of three minutes before a bomb implanted in his superhero body would explode. 


Alongside an array of giant monsters that challenged Mirrorman, there was also the robot kaiju, Noah. A female robot disguised as a human to infiltrate and brainwash a marching band into being agents of the Invaders. Naturally, she can transform into a giant robotic beast form standing 45 meters (146 ft) tall that can shoot missiles and energy beams.

     

Mirrorman would run for a very respectable total of 51 episodes, but it didn't catch on like Ultraman, and the character wouldn't be revisited until 2005, with a three episode direct-to-video miniseries called Mirrorman REFLEX (which was later edited into a movie). This series had a brand new Mirrorman with a design closer to the manga's and a darker tone similar to the first half of the show's. The series taps into Japanese mythology, so no giant robots, but it was worth mentioning because he looks damn cool. 



Mirrorman would get revisited yet again, but we'll get to that when we get to that. 



Next time on Shin Super Robot Sunday: Tsuburaya plays an Ace. 

Sources:






Sunday, March 22, 2020

Shin Super Robot Sunday: Return of Ultraman


Eiji Tsuburaya may have passed away in 1970, but the production company he founded continued on under the leadership of his son, Hajime Tsuburaya. Ultra Seven was intended to be the last of the Ultra series, but the young franchise's popularity ensured that it would be revisited, and on April 2, 1971, that took the form of Return of Ultraman (Kaettekita Urutoraman).


Originally planned to focus around the return of the original 1966 Ultraman, it was decided early in the production for the main character to be a New Ultraman, just one with a very similarly designed costume. He would eventually get the official name “Ultraman Jack” in 1984 for licensing and merchandising reasons. He's not referred to as Jack in the series itself, but that's what I'll be using for simplicity's sake. 

It begins simply enough: giant monsters emerge and start fighting each other, and young race car driver Hideki Goh sacrifices his life saving a kid and a dog from falling wreckage. Touched by his heroics, Ultraman Jack bonds with the dead man, reviving him in a manner similar to the first Ultraman. Together, they join the Monster Attack Team (MAT) dedicated to protecting the Earth from increasing kaiju attacks. 


Able to transform into Jack by sheer force of will instead of a talismanic device like the previous Ultras. Armed with a similarly large set of powers and abilities, this new Ultraman would also be the first one to interact with Ultras from the previous series, officially unifying the franchise. Ultraseven would even give Jack his signature piece of equipment, the Ultra Bracelet, which could produce a variety of specialized weapons such as shields, spears, whips, bombs, boomerangs, and a cross (remember that Eiji Tsuburaya was a devout Catholic).

        

While not as robot heavy as Ultra Seven, this show did add one new giant robot to the franchise: Builgamo. 


A 55 meter (180 ft) combining, piloted robot, it was used by Alien Baltan Jr., the son of a Baltan alien who was killed by the original Ultraman. Builgamo was disguised as a building before beginning its assault, and was able to fight Jack until the MAT team members inside the robot were able to escape. The robot could fly, shoot destructive beams from its antennae, but by far its most useful feature was its incredibly tough armor.


         

Sunday, March 15, 2020

Shin Super Robot Sunday: The Flying Phantom Ship



By 1969, Japan had advanced quite far in terms of animation. Especially when a studio would put real effort behind a project, such as when Toei Animation released Sora Tobu Yuureisen in July of that year. Known in English as The Flying Phantom Ship or The Flying Ghost Ship, the film is a 60 minute full-color adventure into suspense, conspiracies, and super science with a few important creators involved. 


Like most anime of the era, it was an adaptation of a manga. In this case, the 1960 manga of the same name by Shotaro Ishinomori. Ishinomori began his career in the 1950s and was an assistant of Osamu Tezuka's for a time before establishing a name for himself in the 60s and 70s with Cyborg 009, Kikaider, Skull Man (which was a one-shot comic that got heavily reworked into Kamen Rider), and the original Himitsu Sentai Gorenger, the first of the long-running Super Sentai series. The director was Hiroshi Ikeda, who was an anime director in the 60s and 70s, but also had a long career as a show writer as well. It also featured the work of a little-known key animator named Hayao Miyazaki.

 

The plot itself revolves around Hayato, an adventurous young boy with a loving family who, along with his father, rescues his dad's boss and wife from a car crash and take them to a spooky mansion to avoid the rain. There, they encounter a mysterious skeletal sea captain and his flying dutchman, who's looking for revenge against the people who betrayed him and killed his family. 


After being rescued by the authorities, a giant robot attacks the city proclaiming itself to be a golem, the messenger of the Ghost Ship, and destroys large chunks of the city. Hayato's parents are killed in the destruction, but not before his father tells him they're not his real parents. 

After a mourning period, Hayato wants revenge, and accidentally uncovers corporate and government conspiracies, underwater bases, a plot to take over the world, giant talking robot crabs, the truth behind the mysterious sea captain and his flying Ghost Ship, and the sinister truth behind soda. Its all very Deus Ex, only wrapped up within the trappings of 60s super science fiction. As a curious footnote, the movie was one of the first anime to be dubbed in Russian and shown in the Soviet Union. 


The Flying Phantom Ship is a mix of horror, mad science, secret societies, and a ghost ship that gets into an aerial battle with a giant robot. The robot itself is merely a step on the ever escalating weirdness of the plot, but it shows the capability to fly, smash buildings, fire missiles, and broadcast threats. Its far, far, far from the weirdest thing in the movie (that would be a giant crab trash talking a guy before dissolving him with soda). 



Next time on Shin Super Robot Sunday: Ultraman Returns 

Sources:




Sunday, March 01, 2020

Shin Super Robot Sunday: Mighty Jack


Tsuburaya Productions' next series would be a significant departure from the Ultraman format. Eschewing the giant monster format, Mighty Jack would be about an elite team of superspies called Mighty Jack and their giant flying battleship/submarine Mighty/Mighty-Gō and assorted smaller specialist ships. Mighty Jack does battle with the evil secret organization Q, which is bent on world domination. Eiji Tsuburaya himself was apparently quite proud of the show because it focused on the human characters instead of weekly giant monsters. Aimed at an older audience than the Ultraman series and drawing heavy inspiration from Thunderbirds, Mighty Jack began airing in April of 1968.

   

The Mighty itself is a 235 meter (771 ft) long and 41 meter (135 ft) tall behemoth that can fly at Mach 2.8, powered by a mix of nuclear and solar plasma engines and a bunch of conventional and super science weapons. It does not, however, transform into a giant robot.  
Originally planned as a 26 episode series, poor ratings led to its cancellation after 13 of the 45 minute long episodes aired.



That wasn't the end of the show, though. Staff and cast were changed, and the show's format was radically changed. Mighty Jack was still an organization that fought against Q, but the target audience was now younger kids, and this time, there would be giant monsters and a generally lighter tone. The show would be reborn as Fight! Mighty Jack and picked up immediately after Mighty Jack ended. Episodes were shortened to 24 minutes, but this revamped version of the show successfully ran for 26 episodes, wrapping up in December of 1968. 


What makes this entire show relevant to this project is one of the monsters from Fight! Mighty Jack was the Big Q (or Big Queen) from episode 22. A 55 meter (180 ft) tall silver robot with super strength and a big pair of floodlights on its head. Built by the widows of Q agents who were killed by Mighty Jack (I'm working from a translation of the Japanese Wiki page, so some of the details might be off), the plan was to stomp around the city and plant a white flag on the top of Tokyo Tower to signal Mighty Jack to surrender. It was eventually blown up in battle. 


 American audiences will be more familiar with the 1986 adaptation by Sandy Frank Productions. Frank, a veteran sales executive who had worked for Paramount and NBC, was also responsible for bringing Science Ninja Team Gatchaman to the US as Battle of the Planets in 1977. His company has multiple licensing deals for localizing Japanese movies in the United States, most notably the Gamera series. 


The Mighty Jack “movie” was one of the company's lesser efforts. It took the first and sixth episodes and slapped them together with little context, poor pacing, and bad dubbing. This would be prime fodder for Mystery Science Theater 3000, and the show was riffed twice, first in 1989 on KTMA (during “Season 0” and next in 1991 during Season Three of the show proper. 

Mighty Jack would be one of studio founder Eiji Tsuburaya's final projects, and the last one covered by the scope of this project. He would pass away in 1970 at the age of 68. 




 Next time on Shin Super Robot Sunday: A Flying Dutchman and her ghost captain.

 Sources: