“Hamburgers! The cornerstone of any nutritious breakfast.”

Might as well make it a double feature of Tarantino films that I get weird looks for not having seen before. Here’s 1994’s Pulp Fiction, which is considered one of Tarantino’s best.

Plot
So…its complicated. We’ve got the interlacing stories that all connect to a crime boss. One story involves the misadventures of a pair of loquacious hitmen trying to get a MacGuffin in a briefcase to their boss. Another involves one of the hitmen taking the boss’s wife out on the town, and finally we get the story of a boxer who tries to cheat the crime lord by not throwing a fight and then trying to get away with it. Now take those three main storylines, and just mix them up out of order into several chapters that you have to piece together like a jigsaw.

Characters
Vincent Vega: John Travolta became a respectable actor again after this. The not-coincidentally named Vega is a pretty dumb lug who’s just back from Europe. Vincent is a (mostly) competent hitman, but he’s also incredibly sloppy, a heroin user, and has absolutely terrible trigger discipline that causes more problems.

Jules Winnfield: Samuel L. Jackson in the movie that made Samuel L. Jackson the badass he is today. Jules is the jheri curl wearing, eloquent and smarter member of the hitman duo (and its fun watching him act circles around Travolta). Jules is awesome and everything he says is awesome too. He has a religious experience that convinces him to give up his murderin’ ways.

Marsellus Wallace: Ving Rhames is our crime boss. He’s got a hot wife, a strip club, and would like to make it very clear that he does not like being treated like a bitch.

Butch Coolidge: Bruce Willis is a boxer in the twilight of his career who agreed to throw a fight for Wallace, didn’t and gets into quite a bit of trouble because of it (and because he wanted to get his watch back)

Mia Wallace: Uma Thurman is Wallace’s sexy actress wife who likes to party. Ultimately a minor character in the grand scheme of things, she and Vincent have a night out that ends badly.

Winston “The Wolf” Wolfe: Harvey Keitel is a “cleaner” who gets called in to clean up a mess Vincent made in the backseat of Jules’ car. Manages he is the badass of the film (even out-badassing Jules).

Captain Koons: Christopher Walken plays an army veteran in a flashback that brings Butch’s father’s watch back home. Is it really necessary to the story? Not really. BUT its Christopher Walken going off on a truly insane monologue, so who cares?

Ringo/Pumpkin & Yolanda/Honey Bunny: Tim Roth & Amanda Plummer are two small time crooks who try to rob a restaurant that Jules & Vincent happened to stop into.

Marvin: Phil LaMarr (a guy who’s done a TON of voice work, including Samurai Jack and Green Lantern on Justice League) is Marsellus Wallace’s inside man that Jules & Vincent meet up with. Vincent’s trigger discipline leads to the "Bonnie Situation." Tarantino must have a thing against guys named Marvin.

Visuals/Effects
Quentin Tarantino had more of a budget here, and the presentation is incredibly slick with lots of great colors and scenes. Editing is outstanding too, since it maintains coherence throughout the breaks and stops in narrative.

Writing
Quentin Tarantino (with some help from Roger Avary) keeps going with the snappy dialog and sudden twists and turns. He juggles a lot of plots in this, and succeeds in keeping them all in the air and interesting. And for those counting F-bombs, its used 265 times.

Sound
No score, but plenty of music. This time most of it is drawn from the 1950s, including some surf guitar. Everything is better with surf guitar.

Conclusion
Pulp Fiction, while it doesn’t really have much of anything to do with the pulp serial novels of the 1930s, is a hell of a ride. Slick, stylish and eminently quotable, at times it feels a little too slick for its own good, but never gets bogged down in how cool it is. It’s a great movie, though I do like Reservoir Dogs better.

“Yeah, Zeus! As in, father of Apollo? Mt. Olympus?”

1995. John McClane and John McTiernan were reunited, which is great, but it wasn’t Christmas anymore, which is sad. Instead we got Samuel L. Jackson. Its time to Die Hard With A Vengeance.

Plot
Its summer in New York City, and John McClane is a New York cop once again. Except he’s suspended and borderline alcoholic and estranged from his wife. Then some stuff blows up in the city and the Police get a call from the mastermind, demanding John McClane wear a very offensive sign in Harlem or else more explosions. John survives in part because of the intervention of a bystander, who then gets dragged along because the terrorist is pissed he interfered. Like always, a lot of money is involved, John’s trying to figure out who exactly wants it, and why. And he’s got a really bad hangover.

Characters
John McClane: Bruce Willis (as always). It really sucks to be John in this one. He’s on the outs with his wife, has his superiors at the station constantly pissed at him, and he’s been drinking in the morning on a day. Then it turns out the bad guy knows who he is and is really pissed at him. So John’s being played as the bad guy’s pawn as he races around trying to figure out what’s going on and how to stop it. It’s a really bad day to be John McClane, however, he tends to be extremely badass on his bad days.

Zeus Carver: Samuel L. Jackson plays an engineer from Harlem who’s a loving family man, reasonable guy and doesn’t trust whitey. He pulls a Good Samaritan when he helps John not get killed in Harlem for being forced by the bad guy to wear a sign that, well, let’s just say it would get you killed in Harlem. They build up a typical buddy cop movie relationship, where they don’t like each other at all until near the end and Zeus plays the race card on John a lot with hilarious results.

Inspector Walter Cobb, Joe Lambert, Connie Kowalski and Ricky Walsh: Okay, these are the NY Cops involved in the case. Respectively, they are Larry Bryggman, Graham Greene (from Maverick), Colleen Camp (from Clue), and Anthony Peck. They’re all competent cops who are basically the B-team trying to keep things under control while John & Zeus do their thing, and they even get a moment to shine near the climax.

Charlie Weiss: Kevin Chamberlin plays the unlikely badass of the film. He’s a chubby bomb unit guy called in to help find and defuse the explosives planted in the city. While he starts off as a minor character, when they find one of the bombs in a school and evacuate it, he’s right there trying to shut the thing off. No such luck and he gets ready to get out, but then the cops find some kids who decided to hide out inside and he mans the fuck up and stays at it. Now, you expect badass things from Bruce Willis & Sam Jackson, but from a lowly secondary character to get that kind of moment, truly badass.

Simon Peter Gruber: Jeremy Irons is quite awesome as the German-accented, blonde mastermind of the attacks. He’s also a class A asshole, calling the police up and having John & Zeus jump through hoops trying to figure out his obfuscating (look it up) riddles that follow the “Simon says” format. Turns out he’s Hans Gruber’s brother, and at first you think that’s why he wants McClane dead, but it turns out that’s just a very welcome bonus objective to his main ambition, which involves stealing a LOT of money with his multi-ethnic-but-mostly-white army of mercenaries. He’s also got a hot girlfriend/lieutenant who’s a mute sociopath.

Visuals/Effects
From the very first shots framing New York City, you can tell John McTiernan’s visual style is just so damn effective. Then the movie wastes no time in getting into the thick of things as we get lots and lots of explosions and cutting it close to the wire. The pacing is frantic, but its also fairly focused. In a lot of ways, it feels a lot more like Die Hard than Die Harder did.

Writing
Writing credits go to Jonathan Hensleigh (who also happened to direct the 2004 Punisher movie) and to Roderick Thorp for “certain original characters” on IMDB. While its not exactly the character driven piece that Die Hard was, the interactions between John & Zeus are entertaining, Simon’s a great villain and its nice to see the B team of the other cops behaving as competent individuals. Still, characterization here is completely secondary to plot and explosions. The movie seems to know it can’t top Die Hard, so it just lays on the wildly entertaining action scenes that stretch the bounds of credibility and survivability. Which isn’t really so bad, because its done well here.

Sound
Michael Kamen back once again for the score, and once again it’s a very solid piece.

Conclusion
Die Hard 3 With A Vengeance is not as good as the original, this is obvious. However, it is still a hell of a lot of fun and as far as sequels go, just seems to work so much better than 2 did. Recommended.