Showing posts with label Ghostbusters. Show all posts
Showing posts with label Ghostbusters. Show all posts

Monday, July 18, 2016

“Do not compare me to the Jaws mayor!”



Full disclosure: I was deeply skeptical of the new Ghostbusters movie. The controversy, the trailers, the leaked plot rumors (that turned out to be true), the previous failed attempts to get Ghostbusters 3 off the ground where Bill Murray allegedly shredded up a script and mailed it back to Dan Aykroyd. So for at least ten years, the story behind making a new Ghostbusters has been a shitshow, and before that, a pipe dream. The last time I actually wanted to see a new real, live Ghostbusters movie was in high school computer class back in 2001. I went into this skeptical but hopeful that it would surprise me.

So why am I writing a review of a movie I didn't really want to see for 15 years?

I had to know.

Not for the controversy, not because somebody else recommended it. I had to know for myself.

Now I know.

Its a giant piece of dogshit that has nothing to do with who has what kind of chromosomes.

First the setup. Have you ever seen Ghostbusters? It follows the major story beats without taking much time to set things up because this isn't a reboot of Ghostbusters. It's a remake. For the uninitiated: some academics have crazy ideas about researching the paranormal. They get kicked out by the faculty for being crackpots. They go into business for themselves, hire a secretary, investigate paranormal occurrences, have some rocky starts, build technology to catch ghosts, hire a new employee, successfully capture a ghost, attract the attention of a cranky mayor, then find themselves the only thing that can stop a giant supernatural threat that could destroy the city of New York.

All that's missing is the humor, the scares, the buildup of a credible supernatural threat, chemistry between the leads, character development that sticks, humor, any kind of made-up rules for how you could use technology to capture ghosts, any kind of a love interest plot that goes anywhere, quotable lines, and humor.

But it does have poop jokes. And fart jokes. And it steals a gag from Young Frankenstein. Oh, and there's a queef joke. And a pointless cameo from Ozzy Osbourne. And its got Bill Murray in a cameo where he looks dead inside.

And it devolves into a 20 minute action sequence at the end with fight choreography and goofy weapons and shooting the physical manifestation of their logo in the dick.

Our four leads are Erin Gilbert played by Kristen Wiig, who was once big into paranormal investigation but left it behind to become a real scientist and then loses her tenure track when she reunites with her old collaborator/friend and flips out after almost catching a ghost and her supervisor fires her. You would think that would lead to conflict between the two, and in a good script it would. Anyway, aside from playing the straight face of the group, she just fades into the background in most scenes. Except when she accidentally kills a man by releasing the only ghost they've managed to catch and it throws him out a window to prove to him that ghosts exist. See, its funny because its Bill Murray's cameo.

Yeah, that was a spoiler. I'm not sorry.

Next is Abbey Yates, played by Melissa McCarthy, who babbles incessantly. That's it. No realizing she accidentally ruined her friend's academic career, no self-awareness, no character development at all.

Abby has partnered up with Jillian Holtzmann, played by Kate McKinnon. Her only purpose in the plot is to be a mad scientist type who creates anti-ghost weaponry and rattles off techno-jargon. So to fill time, she mugs for the camera because there's nothing else to work with. She's one “Freunlaven” away from turning into Mr. Director from Animaniacs.

And last is Patty Tolan, played by Leslie Jones. She's an MTA employee with an encyclopedic knowledge of the weird side of New York and the connections to get a vehicle for the team. She's useful, resourceful, tough, and, remarkably enough, the most believable, fleshed out and likable character in the entire movie and actually has a character arc where she grows from when she's introduced. The movie might even have been better if it was just Patty and Holtz getting into crazy shenanigans. 

They hire Kevin Beckman, played by Chris Hemsworth. Kevin's a narcissistic, airheaded idiot who is miraculously still alive, but he's pretty and Erin has an immediate crush on him, so he's hired. He gets close to some genuine comedy because the character's such an oddball.

There's Rowan North played by Neil Casey, who's the villain. He's creepy and wants to usher in the Fourth Cataclysm (whatever that is) because he's...been bullied all his life? Its stupid and then he kills himself and turns into a ghost that can possess people and then he turns into a terrible CGI version of the Ghostbusters Logo and gets shot in the ghost crotch before being sucked into a portal.

Oh, and there's Andy Garcia as the mayor of New York who knows about ghosts and the supernatural, but helps the Feds clamp down on it to prevent panic. I only mention him because its Andy Garcia and he gets the only line that got a chuckle out of me (which is the quote I used above).

So to sum up what's good about this remake? Leslie Jones and some of the ghost effects. Annie Potts and Ernie Hudson both had good cameos. I had hoped that the controversy surrounding this movie would have at least been a lot of noise about an average movie with a few yuks. The script is terrible, the chemistry between the leads is absent, and there's absolutely zero weight to anything going on in this movie.

Instead, it commits the two biggest sins of comedy: Its boring, and its not funny.


The Star Wars Holiday Special of Ghostbusters.  

Avoid it if you can.

Tuesday, October 27, 2009

“On a mountain of skulls, in the castle of pain, I sat on a throne of blood! What was will be! What is will be no more! Now is the season of evil!”


So Ghostbusters was good times, yeah? Spawned a spin-off cartoon show (that was awesome) and then in 1989, Ghostbusters II came out with a new supernatural threat that threatened the good innocent undeserving-of-calamity people of New York. So why isn’t it as well regarded as the first? I mean, besides being a sequel and the general stigma that they carry.

Plot
Several years after saving New York and then being sued into unemployment, the former Ghostbusters are working generally menial jobs but then a spike in ghostly activity and portents about the end of the world get the band back together as they have to deal with a Carpathian Warlord trying to come back to the land of the living. Hilarity ensues for 107 or so minutes.

Characters
Dr. Peter Venkman: Billy Murray’s Venkman has gone on to the logical job after the Ghostbusters gig fell apart, he’s got a TV show where he interviews various crackpots & kooks about their crazy paranormal theories. Still the deadpan snarker of the film, he’s mostly just trying to get back together with Dana.

Dr. Raymond Stantz: Dan Aykroyd is still the more “childlike” Ghostbuster in his enthusiasm. He’s the owner of an occult bookstore and even runs gigs in full gear doing kids parties. Still, Ray is the one that’s most eager to get back in business.

Dr. Egon Spengler: Harold Ramis is still Egon, who’s still been doing the mad scientist thing and hanging out in Ray’s Occult Books. Sadly, it seems like the thing he had going with Janine in the first movie is over.

Winston Zeddemore: Ernie Hudson is still Winston, and he’s been doing party gigs with Ray to stay in work. After the team reunites officially, Winston seems to be the one who gets the most development. He’s no longer the new guy, and he’s still got the down-to-earth view (compared to the other three), but he’s also a lot more active in investigations. And he’s able to stand up to a ghost train driving through him with minimal trauma. That’s pretty badass.

Janine Melnitz: Annie Potts comes back as the Ghosbusters’ snarky secretary when they get back in business. Except she’s not quite as mercilessly snarky this time around. That gets mitigated with a subplot of her and Louis babysitting Dana’s kid.

Louis Tully: Rick Moranis returns as neurotic accountant Louis, only this time he’s also called in to be the Ghostbusters’ lawyer during a trial, then he becomes their accountant. Pure comic relief in this film, he and Janine get it on comically during the babysitting scene.

Dana Barrett: Sigourney Weaver returns and is several years estranged from Peter and has a kid from another relationship, Oscar. Dana (well, Oscar, to be precise) becomes the target of the supernatural scheme of the movie.

Dr. Janosz Poha: Peter MacNicol plays completely over the top as the Eastern European director of an exhibit in a museum. Dana works for him and he’s got an awkward (and because he’s creepy, a rather hopeless) crush on her. He becomes the henchman for the bad guy, turning in a very Renfield-like performance (which is only natural, since he’d play Renfield himself Dracula: Dead and Loving It).

Jack Hardemeyer: Kurt Fuller plays a jerkwad of a mayor’s aide that is trying to keep the Ghostbusters from getting back in business and away from the mayor (its an election year, after all). He’s a smarmy jerk, but he’s just not quite as asshole-ish as Walter Peck.

Vigo, the Scourge of Carpathia: Played by Wilhelm von Homburg and voiced by the always awesome Max Von Sydow, Vigo haunts a painting of himself, and he’s a bad dude. Maybe not quite as big a threat as Gozer, but he is a palpable one, and powerful. And Venkman gets a lot of great lines at Vigo’s expense. He’s also got a connection to a river of emotion reactive slime that’s running under the city too.

Visuals/Effects
Ivan Reitman returns as the director and the visual style remains the same (in a good way). The special effects are improved (naturally) and while it doesn’t quite reach the same level of awesome that seeing Stay Puft Marshmallow Man walking around, the movie does have the Statue of Liberty walking through the streets of New York while “Your Love Keeps Lifting Me” plays is a different kind of awesome.

Writing
Dan Aykroyd & Harold Ramis deliver another pretty good plot with solid characterizations and hilarious dialogue. Still, the problem with it is that its not quite as inspired as the first film’s. A lot of the great scenes are kind of similar to the first movie’s. Giant thing walking through the city. People possessed by paranormal forces. Asshole city official. Massive amounts of property damage to capture a few lower level ghosts. More of the same isn’t really a bad thing, but that’s also a source of criticism for not bringing enough new to the table.

Sound
Randy Edelman did the original score, which works but its kind of invisible in the film. Ray Parker, Jr.’s “Ghostbusters Theme” is still great, and then, because it was 1989, there was a remix done by Run DMC. Its kind of catchy in its own way, but its also…not as timeless as the original version. Also, the aforementioned "Your love keeps lifting me higher" song.

Conclusion
Ghostbusters II sometimes gets a bad rap as being an unworthy sequel. I respectfully disagree. It may not be as awesome and original as the, er, original, but its definitely entertaining and a solid, fun paranormal comedy.

Monday, October 26, 2009

“Human sacrifice, dogs and cats living together…mass hysteria!”

Admit it. You saw the title quote. You saw the poster. You’re humming the theme right now. You know who to call. Hell, you’ve probably been wondering if I was going to put this movie on this month’s list. Well, after seeing Zombieland, 1984’s Ghostbusters was a very logical follow up (no, seriously, it is).

Plot
Three disgraced parapsychologists get some actual results in their research and find a way to capture and contain ghosts. With no academic means of income, they decide to go into business for themselves as the Ghostbuster (dun dun Dun!). After some initial success, one of them gets involved with a woman who’s apartment is turning into a conduit for a dark god to try and enter the world to destroy it. Hilarity ensues for the next 105 minutes.

Characters
Dr. Peter Venkman: Bill Murray is the deadpan, laidback, fast talking member, and totally not particularly enthusiastic about the venture as his colleagues. Something of a hustler, he’s generally the more decisive of the group. Nobody, and I mean nobody, can stand up to his low key scenery chewing performance, and for that, he is the badass of the film.

Dr. Raymond Stantz: Dan Aykroyd plays the eager, idealistic Ghostbuster who’s essentially the “heart” of the team. He also tends to screw up from time to time to help escalate the plot.

Dr. Egon Spengler: Harold Ramis plays the serious, stuffy big brain of the team and another source of deadpan delivery.

Winston Zeddmore: Ernie Hudson plays a guy who’s looking for work that the Ghostbusters hire. He’s kind of an everyman character who gets in over his head but manages to adjust to the weirdness pretty well. After all, he’s seen shit that could turn you white.

Janine Melnitz: Annie Potts is the sarcastic, extremely deadpan secretary that the Ghostbusters hire to take their calls and do paperwork. She gets some great banter with Peter and some intentionally awkward flirting with Egon.

Dana Barrett: Sigourney Weaver plays a classical musician who’s apartment happens to be located in a building designed to be a conduit to allow Gozer the Gozerian, an ancient Sumerian god, to enter New York City and destroy the world. She turns to the Ghostbusters, Venkman unrelentingly pursues her and then things get really weird for her.

Louis Tully: Rick Moranis is Dana’s neighbor, a neurotic anal retentive accountant and generally hapless schlub who gets swept up in the whole Gozer incident.

Walter Peck: William Atherton plays the smug, slimy EPA official who hates the Ghostbusters (well, Venkman definitely) and wants to see them shut down for good. This leads to…complications.

Gozer the Gozerian, Gozer the Destructor, Volguus Zildrohar, Gozer the Traveler, Lord of Sebouillia: Our big bad evil god for the film doesn’t have a major presence until the end, but then you realize that Gozer is serious business, despite first appearing as a flat-topped female gymnast. That nimble little minx then manifests as a 100 foot tall Stay Puft Marshmallow Man, which is both ridiculous and awesome. Gozer’s even got a posse, Zuul and Vinz Clortho, that helps pave the way for Gozer’s coming.

Visuals/Effects
Ivan Reitman brings a really good visual style to the movie. Filmed a lot in New York, the supernatural is treated as a mostly down to earth thing. People’s reactions to the Ghostbusters and their mission is usually bemused skepticism. The pacing is rock solid, and the movie is probably at its streamlined best when we get a montage of the Ghostbusters expanding their marketing, doing their jobs and then getting public reactions. Sure, its been done before, but its really done well here and it’s a great little touch.

Now, the effects are worth mentioning. They’re outstanding; merging puppetry, camera tricks and stop motion effects to great effect. Everything’s also done “pre-computer” which means no CGI, something that the cast & crew were quite proud of when I watched the commentary several years ago. And the ghost effects being played straight also worked in favor of the horror elements that were present. Admit it, you weren’t ready for the Librarian’s reaction to “Get her!” when you saw it the first time.

Writing
Dan Aykroyd, Harold Ramis & Rick Moranis caught lightning in a bottle. Out of work college professors decide to hunt ghosts in New York professionally. It’s a concept rife with potential, and the plot turns wildly through the course of the film, but it all works out in its favor. Dialog is incredibly quotable, made all the more incredible since much of it was improvised.

Sound
The original score by Elmer Bernstein is a very solid, atmospheric piece of movie music, definitely. However, that is completely overshadowed by Ray Parker, Jr.’s theme song, which manages to be both incredibly 80’s and incredibly timeless at the same time.

Conclusion
Like I was going to pan Ghostbusters instead of recommending it. It’s a modern classic that takes a solid idea and runs hand in hand with hilarious dialog, memorable characters, inspired visuals and they all frolic together in a cinematic happy place as anthropomorphic personifications of storytelling.

…What? They laugh, they cry and by the end of the day, they’ve all learned a little something about themselves.