Friday, November 03, 2017

Panic in the Streets (1950)


I'm unrolling something I've wanted to do for some time now: Noirvember. I've loved film noir ever since I discovered the Maltese Falcon (the book) in high school, and have wanted to do a month specifically dedicated to it for a while, especially as an excuse to discuss lesser-known noir. So here we are.

Does an outbreak of plague belong in film noir? Offhand, I'd say no, but Elia Kazan proved me wrong with 1950's Panic in the Streets.

Dockside New Orleans. A poker game turns sour when one of the players, a recently arrived illegal immigrant, starts acting sick and leaves suddenly. His cousin tries to calm him down, but Blackie (Jack Palance in his first movie role) and his toadie Raymond Fitch (Zero Mostel in his second movie role) take issue with that and try to get their money back. One dead john doe later, they do, and dump his body into the harbor, where it washes up the next day for the police to find.

Except the autopsy reveals he was carrying pneumonic plague (a real version of the plague that infects the lungs rather than the lymph nodes). With no identity, no leads and a big port city to incubate it, Lt. Commander Clint Reed of the US Public Health Service (Richard Widmark), has three days to prevent an outbreak that could ravage the country. Along the way he butts heads with Police Captain Tom Warren (Paul Douglas) and strains his relationship with his wife, Nancy (Barbara Bel Geddes).

This was Kazan's last film noir before moving onto bigger pictures (his next movie would be A Streetcar Named Desire) and it shows a confident, technically adept hand behind the camera. The action sequences are few, but the ones that are there are excellently executed in prime noir style.

The middle bogs down a little bit, but there's a constant tension as the stress takes its toll on Dr. Reed as he tries to convince both government officials and simple dockworkers of the seriousness of the threat.

Panic in the Streets is a good film well executed. I'm not sure I'd put it in my film noir top ten, but I definitely enjoyed it more than Streetcar.

Recommended.


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