“The monster can destroy everything with his tongue.”

What’s this? MORE Gamera the giant nigh-invincible turtle?? Yep. Here’s 1966’s Daikaijû kettô: Gamera tai Barugon (AKA Gamera Strikes Again AKA War of the Monsters AKA Gamera vs. Barugon), the first Gamera movie to be in color.

Yay?

Story
We pick up right after Gamera the Invincible with a meteorite/asteroid hitting Gamera’s rocket almost immediately and releasing him from his prison. So much for the Z Plan. Being Gamera, the big turtle is able to fly back to Earth and attacks a power plant because of the whole feeding on heat energy thing. Gamera loves flames. Then he flies away.

Then we have a pilot getting recruited into a shady treasure hunt to (at least in the English dub) New Guinea to recover a huge opal that was stashed there during the war (WWII, presumably). A team of three (and thankfully no little kids in sight) arrive, are warned by the natives to not go, they go anyway, find the opal and of course, one of them gets really dead, one gets really greedy, and one (our hero) gets really almost blown up. He’s rescued (then berated) by the villagers and the girl in the village decides to go after it to return it (our hero agrees to go with her to fix his mistake). The traitor high-tails it back to Japan, but along the way, the Opal is irradiated and starts to hatch. Turns out its not an opal at all.

At landfall, BARUGON busts out of the ship, a giant four-legged dog/lizardy thing with a tongue that can shoot out and catch stuff, breath that can freeze things and a back that can shoot out a deadly rainbow. Wait, deadly rainbow? Barugon freezes Gamera when he shows up (effectively removing him for most of the movie) and goes on a rampage. According to legend, his greatest weakness is water, so the humans try their hardest to lure him into a lake so he can drown. Doesn’t work. They also construct a giant mirror system to reflect the rainbow back onto Barugon. It sort of works. Then, when all hope seems lost, Gamera thaws out and beats Barugon in an incredibly anticlimactic fight: by grabbing the beast and dragging him into the water where he promptly drowns.

Visuals/Effects
Directed by Shigeo Tanaka, the visuals are fairly standard for the genre. The Gamera and Barugon suits aren't bad, but they do look a little lower quality than contemporary Godzilla kaiju costumes. The monster fights themselves are disappointingly brief and most of the movie is spent alternating between the humans and whatever model set Barugon is currently demolishing.

Writing
Written by Nisan Takahashi, the story feels a little…divided. Gamera is barely in it, so he feels tacked on, the human stuff isn’t really bad at all, it just feels like a kaiju was shoehorned in to its original pitch. Barugon isn't really a well defined monster: he’s just a baby from a race of “demons” that hatch every 1000 years on his island and when one does, the villagers just throw a giant diamond into a large body of water and said monster drowns. It begs the question: “why?” Why is Barugon’s species drawn to shiny objects like that? Why is submersion an instant kill? Why a rainbow attack?? Why isn’t Gamera in the movie more?

Sound
Original music by Chûji Kinoshita, which is fine for the genre. Additionally, the sound effects for Barugon aren't all that great. The beastie makes a kind of snap-hissing sound for almost everything.

Conclusion
Well, Gamera vs. Barugon isn't very good. It’s kind of a slog and there’s not enough Gamera in it to truly justify him getting top billing. Barugon is plenty weird though, with his tongue, rainbow death ray and amazingly specific weakness. Major props for not having a massively annoying kid, too.

“Gamera is a friend to all children.”

The biggest name in kaiju is easily Godzilla. The second biggest name is Gamera, the giant fire-breathing, flying turtle who is friend to all children. He’s been in a lot of movies (somewhere in the neighborhood of twenty or so), but it all started with Daikaijû Gamera in 1965 and translated into English with some American actors inserted as Gammera the Invincible in 1966.

Story
Some scientists are up in the Arctic Circle when a plane carrying nuclear bombs crashes into the ice, awakening the giant turtle monster Gamera! Gamera, who feeds on heat and fire, goes on a globe trekking search for food. When he gets to Japan, he also happens by chance upon the... unstable Toshio (“Kenny” in the English dub) who is an antisocial little kid with an unhealthy obsession with turtles. Kenny survives his encounter (though his house does not) and thinks that it was because Gamera is good at heart. After this, Kenny ends up in all kinds of classified/secure military and government locations with no clearance and keeps stressing that Gamera is good, despite the incredible loss of life that the giant turtle causes. Long story short, the scientist sub-character, his daughter and her reporter stalker boyfriend are unable to blow up or deep freeze Gamera, so the United Nations enact Plan Z, which, I kid you not, entails capturing Gamera in a dome and launching him into space.

Visuals/Effects
Well, like any good kaiju film, director Noriaki Yuasa provides a lot of models that get destroyed by a man in a rubber suit. The movie is at its best when Gamera’s on the screen, and thankfully, he’s on screen a lot here. Still, without a monstrous foil, Gamera's destructive rampage does get a little old.

Writing
The writing is…not so great, and since this was the dub/edit, I can’t really lay ALL the blame on writer Nisan Takahashi. (The scenes with the Americans are hilariously badly-acted with some dreadful line readings, for example.) The stuff with the scientist, his daughter and the reporter isn’t too bad, they’re just fairly boring people. The stuff with Kenny? Nigh-insufferable. He’s supposed to be a sympathetic point of view character, but he’s just an antisocial lunatic who’s continuous insistence on letting Gamera go wild is responsible for the deaths of countless residents of model buildings. So, really, the human segments of the movie: not so good. Gamera destroying toy boats and planes? Much better.

Sound
The original music by Tadashi Yamauchi is nothing of particular note. On the other hand, the sound effect for Gamera’s roar is equally as distinctive as Godzilla’s sounds.

Conclusion
Gammera the Invicible is essentially a Gojira knock off (giant monsters awakened by nuclear activity destroys Tokyo in black & white), but does differentiate itself early by throwing in a kid protagonist. Like Godzilla, later movies would be in color and more about monsters fighting each other than helpless buildings. The comparisons are impossible to avoid. Still, its not a particularly awful movie (though the American dub is) and Gamera is different enough in what he does to make him interesting in his own right. If you like rubber suit monsters and cheesy science fiction, take a look, otherwise, there’s not much here for you.