1955's This Island Earth
is famous/infamous for being the subject of MST3K: The
Movie. Which is fair. It is a
dated 50's Sci-Fi movie, after all. It was also a hit in its day, and
one of the better regarded Sci-Fi movies from that era. Let's pretend
that I haven't seen MST3K: The Movie
umpteen times and look at this for its own merits.
Plot
American
scientist assembles a mysterious piece of technology. A mysterious
man Skype calls him through said device and recruits him into a
mysterious science think tank project, he is transported by a
mysterious automated plane to mysterious Georgia, where everyone acts
mysteriously. Surprise! His benefactor is an alien scientist who's
outsourcing nuclear research in the hope of saving his planet from
destruction. Then they go to space.
Characters
Dr.
Cal Meacham: The awesomely named Rex Reason is our manly-voiced,
square-jawed 50's Science Hero. Handsome, a leading physiscist in the
field of atomic energy, and able to own and operate a Lockheed T-33
Shooting Star/F-94 Starfire (not sure if its the trainer or fighter)
for his own private use. Aside from building the interocitor and
piecing together that its no ordinary think tank that he joins, he
doesn't really DO much besides bear witness to strange events and
then get all grumpy and uncooperative on Metaluna. Maybe its because
he got third billing?
Dr.
Ruth Adams: Faith Domergue is the pretty young physicist who is
second best at atomic research (behind Meacham). She and Cal have
some history together and their romance rekindles as they get drawn
into the web of mystery. Unfortunately, once they get to space, she
turns into a standard 50's leading lady, where most of what she does
is scream, fearfully grab onto Cal for support, and get chased around
by alien monsters. Such were the times.
Exeter:
Jeff Morrow plays the actual hero of the movie because he actually
does proactive things. Exeter is a brilliant scientist from the
planet Metaluna (a world of big foreheads and white hair). In charge
of researching ways to create atomic energy, he sends instructions
and parts for an interocitor to prospective scientists as a test. If
they can assemble it, he calls them up and recruits them. He does
this because Metaluna is under attack by a hostile alien race called
the Zagons (we never see any actual Zagons) who are bombarding
Metaluna's planetary shields. Exeter is benevolent, charming, and a
solid guy. Only problem is the rest of the Metalunans (including his
assistant Brack and his boss the Monitor) aren't, and are happy to
use mind control to ensure cooperation. He's a man torn beteween his
duty to his planet, and his fondness for humans, and is by far the
most interesting character.
The
Metaluna MuTant: God I love this guy. A giant bug monster, the
product of selective breeding and genetic engineering by Metalunans
to create a servitor creature out of insects. “He” only shows up
near the end of the movie as an obstacle to our heroes as they flee
Metaluna. He's blue, he's red, he's got crab claws, and he's got a
big ol' noggin. It's a fantastic design, hampered only by limitations
of the costume, such as giving him baggy pants, and that giant head
probably didn't do the actor's center of gravity any favors.
And
according to Wikipedia, that bastion of accurate information, there's
Coleman Francis in a small role in the film. Francis is infamous for
directing a trilogy of incompetent films that include The
Beast of Yucca Flats, but that's
a tale for another time.
Visuals
Directed
by Joseph M. Newman and Jack Arnold (for reshoots). The first thing
that pops out is the Technicolor. It's vibrant and beautiful. The
second thing that pops out is the special effects. Those are,
generally speaking, less beautiful. Rear projection stuff, flying
saucer models, the rubber forehead Metalunans, the MuTant, that sort
of thing. It all works, but its also got “1950's Special Effects
with a modest budget” written all over it. It all never *quite*
looks as good as the visual design wants it to look. The technology,
Metaluna's alien landscape, all of these are pretty great, actually.
Still, the effects are serviceable, and to laugh them off outright is
blaming the past for being the past. For 2014, the effects are hokey.
For 1955, they're one of the better examples.
Writing
Screenplay
by Franklin Coen and Edward G. O'Callaghan, and based on “The Alien
Machine” by Raymond F. Jones. The dialogue can be frequently hokey,
but its serviceable. The first part of the movie feels more like a
thriller with the constant air of mystery that is only spoiled by the
knowledge that this is a sci-fi movie, and by Exeter and company's
giant inhuman foreheads.
What's
more interesting (from a Sci-Fi standpoint) are the ideas. The
interocitor is a goofy piece of technology, but nowadays we can
literally make video calls over a computer and webcam anywhere in the
world (and into orbit). We all have interocitors. It is an everyday
thing now. We. All. Have. Interocitors. They just can't shoot deadly
beams of energy yet, but its my understanding that Google is working
on that problem. There's other neat stuff too, like how Metaluna uses
atomic energy to power its planetary shield, and so on. Some really
out there concepts. Questionable scientifically, but leading to fun
ideas in a visual medium. Also, then ending's a downer.
The
Sounds
Music
by uncredited Henry Mancini, Hans J. Salter, and Herman Stein. That
is a solid pedigree of Sci-Fi music, and it shows. Well, not “shows,”
you can't see the soundtrack, but you know what I mean. Its not JUST
Theremin. Bombastic orchestral tracks accompany the Theremin, though
its hard not to go NORMAL VIEW! NORMAL VIEW! NORMAL
VIEEEEEWWWWWWWWW!! at the right moment.
The
Verdict
This Island Earth
is not an outright bad movie, which is a shame, since MST3K
gives it that rap.
Within the context of its time, it is considerably better than many of its contemporaries. It moves at
a sharp clip, is competently shot, has a good visual style, and
its not just people in lab coats sitting around a set and talking for
40 minutes.
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