I have just had sweet cinema lovin’ made to me. No. Its not Pirates of the Caribbean (that’s tomorrow). I’m talking about Fritz Lang’s 1927 silent masterpiece, Metropolis. Man, I’m still soaking it all in. The Germans know operatic, and this, this WAS operatic. Take a city of the future, built on the backs of drudging workers. Have the son of the genius behind the city discover that there’s more than fornication in a pleasure garden. Add a love interest that gets replaced by a robot duplicate by a crazy old guy with a mechanical hand and you’ve got a swiftly complicating plotline. At first, it seems like the movie’s going to go all “downtrodden workers rising up against the corporate masters,” and it does…in a way. Then it goes and spits in Marx’s face (I love when that happens) by going biblical. Great Flood kind of biblical. Tower of Babel kind of biblical. And the special effects are just about as good as they can get for being an 80 year old film. The “mascot” of the movie, the robot woman (they called it a machine-man in the movie) was really well done, and you can see where Lucas got the idea for C-3PO. Hell, there’s even a surreal stripshow, so there’s something for everybody.
I have to recommend this movie. If you call yourself a film buff, you’ve probably already seen it, unless of course you’re a filthy liar or just a misguided soul like I was who simply hadn’t had the chance to see this work of wonder. If you’re a fan of Modernism, its got stuff you’d like. Hell, even if you just casually like movies (like most of the people in the world) give this film a look. Some of the acting (particularly by the character of Maria) is just so crazy and brilliant at the same time. The lighting of the film is phenomenal. There are some shots where I was simply floored by the innovation and imagery used.
Look-just--Its good--Oh for heaven’s sake, just see the movie for yourself!